necspenecmetu: Jan van Kessel the Elder, Insects on a Stone Slab, c. 1660-70
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necspenecmetu:

Jan van Kessel the Elder, Insects on a Stone Slab, c. 1660-70

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Source: necspenecmetu

ville-rose: Emile Salome The Prodigal son
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ville-rose:

Emile Salome The Prodigal son

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Source: 3days1paint.wordpress.com

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Source: Peekta

Artist Alphabet – W

washkanskywashkanskyNa-wystawieNa-wystawie
watson_blue window 2002watson_blue window 2002bruce-weberbruce-weber
Bear Pond by Bruce WeberBear Pond by Bruce WeberBear Pond by Bruce WeberBear Pond by Bruce Weber
Bear Pond by Bruce WeberBear Pond by Bruce WeberBear Pond by Bruce WeberBear Pond by Bruce Weber
Bear Pond by Bruce WeberBear Pond by Bruce WeberBruce WeberBruce Weber
Bruce Weber in bedBruce WeberBruce Weber
Christopher Kit Wood The Bathers (France, 1927)Christopher ’’Kit’’ Wood The Bathers (France, 1927)Christopher Kit Wood the jokey 1923Christopher ’’Kit’’ Wood the jokey 1923
dale washkanskydale washkanskyDAVID WOJNAROWICZ1DAVID WOJNAROWICZ1
DAVID WOJNAROWICZ1DAVID WOJNAROWICZ1DAVID WOJNAROWICZ1DAVID WOJNAROWICZ1
How to read (2010) by BRUCE WEBERHow to read (2010) by BRUCE WEBERIan Roberts (after Coypel 1709) by Ross WatsonIan Roberts (after Coypel 1709) by Ross Watson
JOHN WELLINGTON fallenJOHN WELLINGTON fallenJOHN WELLINGTON sebastionaJOHN WELLINGTON sebastiona
JOHN WELLINGTON sleepingJOHN WELLINGTON sleepingJUSTIN SAMPSON BY BRUCE WEBER FOR GERMAN VOGUEJUSTIN SAMPSON BY BRUCE WEBER FOR GERMAN VOGUE
Karch Special K Kirally by BRUCE WEBERKarch Special K Kirally by BRUCE WEBERNick, Adirondack Park, New York 2001_bruce-weberNick, Adirondack Park, New York 2001_bruce-weber
Nude_in_a_bedroom_Christopher Kit Wood Francis_Rose_by_Christopher_Wood_1930Nude_in_a_bedroom_Christopher ’’Kit’’ Wood Francis_Rose_by_Christopher_Wood_1930Paul Wadina by BRUCE WEBERPaul Wadina by BRUCE WEBER
Paul-Licuria-picture_by-Ross-WatsonPaul-Licuria-picture_by-Ross-WatsonRicArango_BruceWeber_1990RicArango_BruceWeber_1990
Sasha Mitchell Bruce Weber PerLui 1985Sasha Mitchell Bruce Weber PerLui 1985Untitled 19-09 (after Caravaggio, 1596; featuring Marco Da Silva)Untitled 19-09 (after Caravaggio, 1596; featuring Marco Da Silva)
Untitled 21-09 (after Ricci, 1700; featuring Matthew Mitcham)Untitled 21-09 (after Ricci, 1700; featuring Matthew Mitcham)Untitled #03-10 (after van de Velde, 1672; featuring Matthew Mitcham)Untitled #03-10 (after van de Velde, 1672; featuring Matthew Mitcham)
vogue-deutschland-foto-bruce-weber-styling-stephan-bolz-vogue-deutschland-foto-bruce-weber-styling-stephan-bolz-washkansky

Source: georgetmodeles.wordpress.com

Holland, Harry (1941 - ) Falling Date: 2008 Movement: New-Figuration / New-Academism Theme: Nude Technique: Oil on canvas Museum: Private collection
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Holland, Harry (1941 - )

Falling

Date: 2008

Movement: New-Figuration / New-Academism

Theme: Nude

Technique: Oil on canvas

Museum: Private collection

Source: terminartors.com

It was in the summer of 1989 that I first discovered the work of Paul Cadmus. Though Cadmus had been working since the 1930’s and has work in the permanent collection of the Smithsonian Institute and the Metropolitan Museum to name a few, he was pretty much completely ignored by the art establishment during his life. His career started with sudden national fame, or infamy rather, when his painting ‘The Fleet’s In’ was removed from a show at Washington’s Corcoran Art Gallery in 1934. Apparently an Admiral was offended at the paintings portrayal of sailors consorting with streetwalkers, though Cadmus clamed that he was merely portraying life as he observed it. The painting, though paid for by public funds, was removed and resigned to hang in Washington’s Alibi club. The deterioration from smoke and dust was ignored by the clubs exclusive membership until a private scholar’s campaign returned it to the Naval Historic Center many years later.
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It was in the summer of 1989 that I first discovered the work of Paul Cadmus. Though Cadmus had been working since the 1930’s and has work in the permanent collection of the Smithsonian Institute and the Metropolitan Museum to name a few, he was pretty much completely ignored by the art establishment during his life. His career started with sudden national fame, or infamy rather, when his painting ‘The Fleet’s In’ was removed from a show at Washington’s Corcoran Art Gallery in 1934. Apparently an Admiral was offended at the paintings portrayal of sailors consorting with streetwalkers, though Cadmus clamed that he was merely portraying life as he observed it. The painting, though paid for by public funds, was removed and resigned to hang in Washington’s Alibi club. The deterioration from smoke and dust was ignored by the clubs exclusive membership until a private scholar’s campaign returned it to the Naval Historic Center many years later.

Source: yeagermuseum.com

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Source: mindgamesss

tagaoth: The Wayfarer by Heronimus Bosch
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tagaoth:

The Wayfarer by Heronimus Bosch

Source: 3days1paint.wordpress.com

artconglomerate:

Details of The Garden of Earthy Delights by  Hieronymus Bosch

Source: 3days1paint.wordpress.com